TV Guide Network Counts Lower the 100 Moments That Changed TV

Jesse Jackson and Justin Timberlake TV Guide Network will think about the monumental moments that have affected current day television landscape in the five-part series beginning Sunday. Among the finest: Jesse Jackson's Super Bowl "wardrobe malfunction," the Van Doren "Quiz Show" scandal, and the way reality shows for instance Survivor and also the The American Idol Show Show launched a completely new genre. Journalists for instance Tom Brokaw discuss the debate between John F. Kennedy and Richard Nixon, the O.J. Simpson trial as well as the birth of CNN. Ray King describes how his talk show paved the means by which for your viewer participation format.And Frank Gifford addresses the start of Monday Evening Football. Robin Roberts, Bryant Gumbel and Cynthia McFadden along with other pop-culture experts will weigh within how these major moments affected the effective medium. 100 Moments that Changed TV: Parts 1 and two air Sunday at 9/7c on tv Guide Network. Parts 3, 4, and 5 will air on subsequent Sundays. Watch two clips within the series below:

Actors' best friends take the spotlight

Jason Alexander and Darren Criss honor casting directors. Meg Liberman and Shaun Cassidy Though the Los Angeles streets were on lockdown due to President Obama's WeHo dinner Monday night, industry members still braved the traffic to attend the 27th annual Artios Awards at the BevHilton. Nicole Sullivan served as host of the awards that brought out Bryan Cranston, Shaun Cassidy, Darren Criss and Hailee Steinfeld. The ceremony feted outstanding achievements in casting by the Casting Society of America, with presenter Jason Alexander reminding attendees during the event and later on his Twitter, "When a casting director loves you, they fight for you hard." Casting vet Meg Liberman accepted the Hoyt Bowers Award, and Alana de la Garza presented Dick Wolf with the Lifetime Achievement Award.

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Ken Howard Re-Chosen As SAG Leader

La (September 22, 2011) Screen Stars Guild today introduced the outcomes of elections because of its top two chosen positions and National Board. Ken Howard continues to be re-chosen for any second term as Screen Stars Guild leader, and Amy Aquino continues in her own role as secretary-treasurer. Both assists two-year terms, beginning September 25. Ballots for that national officials election were mailed to 100,994 compensated-up SAG people on August 23, and 23,459 were tabulated today, for any return of 23.23 percent. Howard received 17,492 votes, with David Hillberg getting 3,047 votes, Sharon Rubin receiving 1,681 votes and Asmar Muhammad receiving 855 votes. Aquino went unopposed and received 20,399 votes. Theres anything important than people working out their to election, and Im very grateful for his or her ongoing support, stated Howard. Because of so many professional-merger candidates chosen again this season, there is no doubt what people want, and that i anticipate showing a comprehensive intend to the SAG and AFTRA national boards in The month of january. 2 yrs ago, SAG people definitively set the Guild on the path to merger, which election verifies they need it as part of your, Aquino stated. Ill continue trying to strengthen SAGs procedures and finances, and Im honored to have the ability to help my fellow entertainers attain the crucial goal of making one union. A functional actor in excess of 4 decades, Howard comes with an extensive resume which includes focus on television, movies and also the stage, such as the approaching Clint Eastwood biopic J. Edgar. An Emmy and Tony Award champion, he assisted create and starred within the Whitened Shadow from 1978 1982, and it has had recurring roles on 30 Rock, Empire, Melrose Place and Crossing Jordan. He's the writer from the book Act Natural, and can serve as the chancellor from the National Kidney Foundation. Aquinos career in acting spans a lot more than 2 decades. She's made an appearance in several films and Television shows, including Moonstruck, Law & Order, Castle, Monk, ER, CSI and Everyone Loves Raymond simply to title a couple of. She also offers a comprehensive career in theater, and holds a masters degree in the Yale School of Drama. Screen Stars Guild also introduced election recent results for the nation's Board of Company directors. Roughly 1 / 3 from the 69 national board seats were open for election this season, representing Screen Stars Guilds Hollywood, NY and Regional Branch divisions. Screen Stars Guild National Executive Director David Whitened welcomed new people, in addition to individuals who have been re-chosen. I must extend my congratulations to Leader Howard, Secretary-Treasurer Aquino and every one of the brand new and coming back people from the Screen Stars Guild National Board of Company directors, he stated. I look toward dealing with the officials and board people throughout this kind of exciting period within the Guilds existence. You will find there's large amount of terrific work in front of us. SAGs Hollywood Division chosen 12 National Board people the brand new You are able to Division chosen five National Board people and seven National Board people were chosen in the unions branches in Boston, Dallas/Foot. Worth, Detroit, Houston, Nashville, Nevada and Washington-Baltimore. National Board people chosen in the Hollywood Division: Tony Shalhoub, Ken Howard, Adam Arkin, Amy Aquino, Stephen Collins, D.W. Moffett, Scott Bakula, Ned Vaughn, Mimi Cozzens, Arye Gross, L. Scott Caldwell (three-year terms) and Kate Flannery (one-year term). The next were chosen for everyone as National Board alternates and also to the Hollywood Division Board of Company directors (one-year terms): Valerie Harper, Ellen Crawford, Esai Morales, Stacey Travis, John Carroll Lynch, Lisa Vidal, Christine Lakin, Michael ONeill, Mandy Steckelberg, Tara Radcliffe, Michelle Allsopp, Bob Bergen, Assaf Cohen, Jon Huertas, Sarayu Rao, Allen Lulu, Woodsy Schultz, Donal Logue, Patrick Fabian, Iqbal Theba, Bertila Damas and Parvesh Cheena. National Board people chosen in the NY Division (three-year terms): Rebecca Damon, Lewis Black, Mike Robards, Ezra Dark night and Jay Potter. Furthermore, NY Division people re-chosen Mike Hodge for any two-year term as NY Division leader. Hodge received 3,185 votes with Mike Robards receiving 2,276 votes. The next were chosen for everyone as National Board alternates and also to the NY Division Board of Company directors (one-year terms): Traci Godfrey, Mark Blum, Marc Baron, John Rothman, Kevin Scullin, Dork Bachman, Matt Servitto, Phoebe Jonas and Manny Alfaro. National Board people chosen in the Regional Branch Division (three-year terms): Bill Mootos (Boston), Suzanne Burkhead (Dallas/Foot. Worth), Erectile dysfunction Kelly (Detroit), Robert Nelson (Houston), Cece DuBois (Nashville), Art Lynch (Nevada) and Steven F. Schmidt (Washington-Baltimore). Ballots for those qualified SAG people in Hollywood and NY were mailed on August 23 having a September 22 return deadline and were tabulated today through the independent election company Integrity Voting Systems. An overall total of 10,621 ballots were tabulated within the Hollywood Division (representing 19.37 percent of ballots mailed within the Hollywood Division) and 5,739 ballots were tabulated within the NY Division (representing 25.11 percent of ballots mailed within the NY Division). The amount of ballots came back within the Regional Branch elections varied by region.

Does 'Bond 23' Finally Have It's Villain?

Could Ernst Stavro Blofeld, one of James Bond's greatest enemies (as well as the inspiration behind Mike Myer's Dr. Evil), make a return to the 007 franchise? It's possible, says John Logan, the writer behind the tentatively titled 'Bond 23.' According to WhatCulture!, Logan hinted at the possibility of Blofeld's big-screen return for the upcoming film at a BAFTA screenwriters lecutre. When someone from the audience asked the writer about a quote he said years back -- that "Bond should always fight Blofeld" -- Logan responded by repeating the same thing (with a smile on his face, no less): "Bond should always fight Blofeld." No, that isn't exactly a confirmation, but it's something! After all, as CinemaBlend points out, the only confirmed cast member as of now is James Bond himself, Daniel Craig. [via CinemaBlend]

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Fox Worldwide Channels Reveals New Sports Division

Fox Worldwide Channels and Fox Sports Media Group introduced Thursday they are developing a completely new division referred to as FIC Sports.our editor indicates 'Idol'-pocalypse update: Fox's dream-on panel, much more about Ellen exit Joey Harrington, Fox Sports Analyst and Former Nfl QB, Hit by CarFox Sports Cancels Show After Airing Segment Mocking Asian Students Its mission is centralize Fox's worldwide sports interests under one group to enhance revenues through distribution also to support News Corp's sports activities and worldwide techniques. It'll be introduced by longtime TV professional and producer Peter Hutton, who certainly are senior v . p .. He'll reviews to Hernan Lopez, FIC's leader and Boss, who's situated working in london. "As FIC gets into the sports distribution business, we are thrilled the executive of Peter's quality has grew to become an associate from the organization," states Lopez in the statement. "Mixing his extensive experience when controling worldwide sports television rights as well as the creative eye from the television producer, Peter is exclusively able to lead this new endeavor." Hutton was most recently someone an director at Broadreach Media, speaking to clients for instance FIC, Sportsband Media Group and Willow Cricket. Two U.S.-based professionals may even join the FIC Sports team: Peter Marco, v . p . of economic and legal matters, who'll oversee the division's business, legal and strategy needs and Josh Oakley, director of purchases, who'll manage rights purchases and coordinate operational needs. Related Subjects Worldwide Hirings-firings

Stoppard's 'Parade's End' marches to Mipcom

LONDON -- British playwright and screenwriter Tom Stoppard will be launching his new high-end period saga "Parade's End" at the Mipcom sales mart in Cannes Oct 4.The five-part skein, starring Benedict Cumberbatch and Rebecca Hall, is being distributed by BBC Worldwide.Stoppard has adapted the series, set in the closing years of Edwardian England when the trauma of World War I changed British society forever, from a quartet of novels written by Ford Madox Ford. "Parade's End" is being made by the BBC, HBO and Lookout Point. The helmer is Susanna White, whose credits include the BBC's most recent version of "Bleak House" and HBO's "Generation Kill." Accompanying Stoppard in Cannes will be David Parfitt, who is producing "Parade's End," seen by some observers as the BBC's answer to ITV's hugely successful "Downton Abbey," also set in Edwardian England. Contact the Variety newsroom at news@variety.com

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Castle Boss: Castle and Beckett's New Secrets Really are a "Ticking Explosive device"

Castle [WARNING: The next story consists of spoilers in the Season 4 premiere of ABC's Castle. Read at the own risk.]"I recall everything."With individuals words, spoken by Detective Kate Beckett within the closing moments of Castle's Season 4 premiere, the show began what will certainly be considered a rollercoaster season of secrets.Fall Preview: Get scoop in your favorite coming back showsAfter narrowly making it through the gunshot she experienced within the Season 3 finale, Beckett (Stana Katic) informs Castle (Nathan Fillion) that they does not remember everything from your day she was shot - including the truth that Castle told Beckett he loved her. However in the premiere's final moments, Beckett confesses to her police-mandated shrink (Michael Dorn) that they she has been laying about her faulty memory.Why? "She's scared to confess that they heard him because she's scared the relationship will go one stage further also it may potentially ruin their friendship," creator and executive producer Andrew W. Marlowe informs TVGuide.com. "She would like it but she's not ready for this."However, Beckett, who's clearly still a little shaken up from her brush with dying, has the capacity to admit that they really wants to work toward rapport with Castle - after she finally shuts her mother's murder analysis, which set this complete deadly chain of occasions moving.Fortress Season 4: What goes on after "I really like you"?"Beckett is battling with a few internal stuff that she really must offer relaxation," Marlowe states. "She intimates that they wants Castle, but she would like that it is a real relationship. She knows she's less open and available as she would like to stay in existence, but she knows it's for the reason. So, whether they can resolve Beckett's mother's situation, that [removes] among their greatest obstacles."This is where things get really sticky. Although Castle wants simply to assist Beckett crack the situation, they have one problem: A mysterious guy (Geoff Pierson) with understanding of Beckett's analysis alerts Castle when she continues digging, she'll certainly finish up dead."Castle is within this terribly conflicted position," Marlowe states. "It eventually ends up as being a huge sacrifice for Castle to request Beckett to back away, because he's really asking her to back from the relationship."Adds Fillion: "If she solves the analysis, she's saying she will be psychologically ready for any relationship with Castle. But when she goes into this analysis, she'll be wiped out. That's very real. Should you balance by using, 'Well, I would are able at dating her,' it does not really consider. He can't take that chance."Take a look at our listing of TV's most sexy crime martial artists!Marlowe states that Castle will keep trying to resolve Beckett's mother's murder by himself to be able to safeguard Beckett. Meanwhile, search for Beckett's shrink to come back a minimum of a few more occasions to provide a look into Beckett's mind (and heart).The good side, Marlowe states, is the fact that despite the fact that they are not technically a product, their relationship is more powerful than ever before. "For the individuals who continue to say, 'When could they be getting inside a relationship?' they type of are already,Inch he states. "It simply includes baggage and complications. [These] are a couple who we deep-down know love one another there is however some significant secrets and significant obstacles making it not the best time on their behalf now.InchAnd when individuals secrets are revealed? "[It's] a powder keg," Marlowe states. "Either of individuals things could be a real ticking explosive device within their relationship. So, there's some a fragile dance for that figures."Castle airs Mondays at 10/9c on ABC.What have you think about the premiere? Do you enjoy the brand new dynamic between Castle and Beckett?

Will Arnett, Amy Poehler Keep Emmy Rehearsals Casual

LOS ANGELES, Calif. -- The Emmy Awards were still a day away, but the Nokia Theatre was already abuzz Saturday as celebrities popped in to rehearse their lines for Sundays ceremony. TV stars such as Will Arnett, Amy Poehler and Zooey Deschanel practiced presenting awards on the swooping Emmy stage inside the mostly empty theater. Seat-saving placards sat where real stars will be Sunday. Laura Linney, nominated for her lead role on The Big C, and multiple nominee (and repeat winner) Jon Stewart both have aisle seats for easy stage access. Poehler, a double nominee for producing and starring in Parks and Recreation, went makeup free for Saturdays rehearsal. Dressed casually in jeans, a button-down blouse, nude pumps and a ponytail, the actress jokingly presented an Emmy to Barack Obama, for this rehearsal only. When producers asked her to practice accepting an award for an absent winner, Poehler playfully admonished the fake winner: (He) thought he was too special to come tonight, she said. Bad move. Poehlers husband Arnett, a fellow Emmy nominee for his guest-starring role on 30 Rock, carried a coffee cup on stage before running through his lines with co-presenter Deschanel. He wore jeans, a T-shirt and a black jacket; she rocked a red sweater with a horse on it over skinny jeans and pumps. Together they retooled their presentation of the comedy series writing award. I was on a plane switching stuff around, she told him. Once they got their lines down, Deschanel was afraid to open the winners envelope. It says it. Can we say it? she asked an off-stage director. She got the OK, presented a fake trophy to fake winners, and she, Arnett and two stand-ins disappeared beneath the stage. Also rehearsing Saturday were the Tenors, who will perform during the shows In Memoriam segment. The Emmy Awards will be broadcast on Fox. Copyright 2011 by Associated Press. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.

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Memorable

Shot in NY by The new sony Pictures Television in colaboration with CBS Television Galleries. Executive producers, Sarah Timberman, Carl Beverly, Erectile dysfunction Redlich, John Bellucci co-executive producer, Merrill Karpf producer, Niels Arden Oplev director, Oplev authors, Redlich, Bellucci in line with the short story by John Robert Lennon.Barbara Wells - Poppy Montgomery Al Burns - Dylan Walsh Mike Costello - Michael Gaston Roe Saunders - Kevin Rankin Nina Inara - Daya Vaidya CBS moved "The Great Wife" to create method for "Memorable," and in writing (or at best, a criminal offense blotter), it is a solid wager. As the net's most-respected drama had clearly capped out rankings-smart Tuesdays, this "The Mentalist"-like procedural has greater possibility to extend the vibe established through the "NCIS" block in to the 10 p.m. hour. Star Poppy Montgomery is really a trifle uneven within the lead, there is however enough intrigue all around the real-if-rare condition/ability she offers -- namely, recalling everything -- to supply the show an chance to consider root. Barring that, so how exactly does "NCIS: Memorable" seem? An ex-cop (are they not all?), Montgomery's Barbara Wells has had refuge in Queens, where she pays the debts by using her unusual talent to count cards while gambling, and does penance with Alzheimer's disease patients. Soon, though, she's employed by her ex-partner and former lover Al (Dylan Walsh) to help him in looking into the dying of the girl almost literally at her doorstep. Consistent with the requirement for visual gimmickry during these configurations, Barbara "sees" into her very own memory, enabling her to reunite dots in precise detail. However, there's one blank place: She can't remember anything about her sister's murder throughout her childhood, supplying a thread that may be taunted out and came back to in excess of future episodes. As always, it's all regulated a roundabout way to produce a cop dynamic using the weakest of twists -- what plays just like a polished procedural, with a little more character -- in addition to built-in romantic tension between your leads. Besides, cops who lack some type of extra edge or high-tech wrinkle are extremely, if memory serves, 1999. About the lower side, the first situation within the pilot compiled by Erectile dysfunction Redlich and John Bellucci is not particularly inspired, and does not provide Walsh much to complete. That leaves Montgomery to look after herself, even though she was fine in supporting duty on "With no Trace" and does swell items to a black outfits, it's unclear if the star has got the type of presence essential to hold centerstage in the manner, say, Dana Delany does on ABC's "Body of Proof," which is her not-different time-period rival. Still, "Memorable" certainly lands squarely within CBS' safe place, and has the network upside. If perhaps the reveal was, well, a little more memorable.Camera, Cort Fey production designer, Vincent Peranio editor, Victor Dubois music, Jacob Groth casting, Gary M. Zuckerbrod, Suzanne Ryan. 60 MIN. Contact John Lowry at john.lowry@variety.com

Union Square

An Armian Pictures, Cine-Si production. (International sales: Cinetic Rights Management, NY.) Produced by Richard Guay, Neda Armian. Co-producers, Glen Trotiner, Peter Bobrow. Directed by Nancy Savoca. Screenplay, Mary Tobler, Savoca.With: Mira Sorvino, Tammy Blanchard, Mike Doyle, Michael Rispoli, Daphne Rubin-Vega, Patti Lupone.Whatever "Union Square" may lack in originality and surprise, it thoroughly overcomes through playfully caricatured performances and a great generosity of spirit. Following a pair of vastly dissimilar Bronx-born sisters (Mira Sorvino, Tammy Blanchard) who resolve their differences in the wake of their mother's death, this funny and heartfelt feature, the first in nearly a decade from director Nancy Savoca ("Household Saints"), sticks closely to a single apartment in the titular Manhattan neighborhood, but expands its simple narrative to include a rare look at class-based pride and shame. Commercial prospects would appear modest, in keeping with the slender pic itself. Starting in 1989 with her Sundance prize-winning indie "True Love," Savoca's keen focus on the struggles and triumphs of working-class NYers has remained persistent even though "Union Square" is only her sixth feature and her first since the maid-in-Manhattan drama "Dirt" in 2003. As if taking measure of all that's changed in communication (and hasn't), Savoca's latest opens with Sorvino's strung-out Lucy, fresh off the subway from the Bronx, nervously typing and erasing plaintive text messages to Jay, the married business exec with whom she's been sleeping. Gradually discovering, amid compulsive shopping fits, that Jay won't be interested in another hookup, the flamboyantly costumed, thickly accented Lucy alternately weeps and screams into her cell phone while stumbling through Union Square, momentarily testing the viewer's patience as much as her former lover's. With nowhere else to go, overbearing Lucy pays an unannounced visit to her estranged younger sister, the prim and proper Jenny (Tammy Blanchard), who runs a natural foods biz with her live-in fiance Bill (Mike Doyle) and has been quietly passing for upper-middle-class, telling Bill that her family is from Maine. With the news from Lucy that their mother (seen in homemovies, wherein she's played by Patti Lupone) has recently died of cancer, Jenny literally lets her hair down, startling Bill and presaging other changes that find her humorously reclaiming her working-class Italian roots. Savoca (who co-wrote the screenplay with Mary Tobler) makes it clear that, despite Lucy's abrasively absurd demeanor, it's Jenny who has been acting nutty by burying her identity under a crippling facade of well-to-do control. The sisters' relationship is mirrored in a garish sibling reality show, scenes from which are interspersed throughout. Beautifully shot in HD by Lisa Leone, "Union Square" is nothing if not schematic, but Savoca's palpable love for her characters -- combined with winning turns from Sorvino and Blanchard -- results in a film whose warmth shines through its formula. Both Jenny and Lucy -- as well as Bill -- become unexpectedly sympathetic and even lovable as their class anxieties give way to a quirky sort of acceptance. Tech credits appear sparkling in spite of the film's small scale.Camera (color), Lisa Leone; editor, Jennifer Lee; production designer, Sarah Frank; art director, Josh Ente; costume designer, Liz Prince; sound, M. Parker Kozak; supervising sound editor, Coll Anderson; re-recording mixer, Anderson; visual effects supervisor, J. John Corbett; assistant directors, Glen Trotiner, Sal Sutera; casting, Sig De Miguel, Steve Vincent. Reviewed at Toronto Film Festival (Contemporary World Cinema), Sept. 10, 2011. Running time: 80 MIN. Contact the Variety newsroom at news@variety.com

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The Wild Bride

A Kneehigh presentation of a play in two acts by Carl Grose. Adapted and directed by Emma Rice. With: Audrey Brisson, Stuart Goodwin, Patrycja Kujawska, Eva Magyar, Stuart McLoughlin, Ian Ross.After the significant blip of "The Umbrellas of Cherbourg," their recent West End effort that closed early after tepid reviews, Kneehigh is back in top form with this stunningly intelligent dance and musical theater version of a Grimm's fairytale. The Cornwall-based company is never one to shy away from dark subject matter (as with its recent version of "The Red Shoes," severed limbs feature prominently here) but nonetheless this is a family show, billed as suitable for ages 8 and up. Packaged properly, the artistic excellence, originality, and broad accessibility of the material could mean serious B.O. potential. Production extends the company's signature technique of reinterpreting existing subject matter (such as the Powell and Pressburger film that formed the basis of their biggest hit, "Brief Encounter") using a layering of theatrical techniques from storytelling to musical numbers to innovative movement. The stylistic palette here is a mix of American dust-bowl and Tim Burton: Action opens with the Devil (Stuart McLoughlin) strumming a guitar and singing Robert Johnson's "Cross Road Blues," sitting under a big, leafless tree. The story follows a young girl (Audrey Brisson) whose loving but drunken father (Stuart Goodwin) foolishly sells her to the Devil, who then initiates her by covering her in muck and cuts off her hands when she refuses to stay dirty. One of the great wonders of the production is the elemental, non-naturalistic stage language that helmer Emma Rice and choreographer Etta Murfitt have created to represent the cruelty visited on the central character, which will please adults with its smart allusiveness while at the same time lessening the scare factor for younger auds. The three impressively multitalented distaff performers function as a unit. All take a turn playing the central character, and initially enact the violence to her by dipping her hands in a tub full of bright red paint and wrapping them in bandages with fingers tucked in. Until the play's final section, the woman never speaks, her inner life represented by dances and occasionally songs. The level of expressiveness and pathos all three women achieve with their faces and bodies is extraordinary, and in itself moving. Cast into the wilderness, the handless maiden (now played by Patrycja Kujawska) turns feral, but is successfully courted by a Prince, played by Goodwin as a literally bounding Scotsman. That Goodwin plays both bad daddy and hero husband, and retains certain character traits in both guises (in particular a direct, bantering relationship with the audience) is yet another knowing reference for adults to enjoy, while kids will be enjoying the Edward Scissorhands-esque appendages that the Prince gives his bride as an affectionate wedding present. When hubby goes off to war, the Woman (Eva Magyar now) has to endure another stint in the wilderness before, marvelously, her hands grow back and she finds spoken language. Every member of the company rises to the challenge of creative multi-tasking: Lanky McLoughlin narrates and sings most engagingly, as well as bedevils; Kujawska is a superb violinist and Magyar a particularly accomplished dancer. Brisson reveals her background with Cirque du Soleil in her ability to vocalize tunefully without forming words (a sort of new-agey scat singing) while musician Ian Ross alternates drums, guitar, bass, banjo and accordion. It's not just the story itself that's life-affirming here; it's the endless invention and creativity that Rice and her team bring to its telling. And there's even a positive take-away message, about the power of female solidarity to overcome hardship. Even the Devil is forced to admit it: "For a feminist folk tale, this isn't half bad!" You said it, brother.Sets, Bill Mitchell; costumes, Myriddin Wannell; lighting, Malcolm Rippeth; music, Stu Barker; lyrics, Grose; choreography, Etta Murfitt; production manager, David Harraway. Opened, reviewed Sept. 12, 2011. Running time: 2 HOURS. Contact the Variety newsroom at news@variety.com

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CBS Chief Ces Moonves Miracles: What Is Going To Hulu Bidders Get For $2B?

The companies investing in an offer to buy Hulu may not want to speak with CBS chief Ces Moonves.”What is it getting and the way extended is it configuring it?” he mused inside an interviewThursday with UBS investment banking chief Aryeh Bourkoff atThe Paley Center for Media. “Are they’re buying couple of years of programs for $2B? I don’t know. I shouldn’t say more — I’ll enter danger.” CBS might be the only real major network that isn’t part of the Hulujoint venture. And Moonves states he’s glad he gained that decision. “We desire to control our content.” Online broadcasts cannibalize TV viewing and distribution which’s something “we’re unlikely to complete. Even a little. … We safeguard your family jewels.” But his company’s programming on premium funnel Showtime differs. CBS is planning to create Showtime Anywhere — a digital service for Showtime’s cable clients.”We are half the means by which getting there,” he mentioned. Like Time Warner’s Cinemax Go, Showtime Anywhere would enable clients to check out shows within the premium funnel if needed via broadband including on mobile items like pills and cell phones. Moonves adds that, like Cinemax, he won’t charge extra for Showtime Anywhere. If the requires the ad market, the CBS chief shown amazing self-awareness for just about any media professional saying, “I know I appear slightly Pollyannaish.” But he was similar to the see-no-evil projection he gained yesterday within a trader conference. “The world wants us to see them the sky's falling. It’s not.” He added that”the signs are not like they werein 2007 and 2008. Really the only place we’ve seen real conditioning is to apply Japanese auto makers. Which’s coming back. … Toyota’s coming back bigger in November and December.” For CBS’ decision not to pursue Olympics broadcast rights, Moonves states the franchise “belonged to NBC. We didn’t wish to take an crazy goose chase where we'd little chance of configuring it unless of course obviously we very overpaid.” Then he needed at jab at his fighting competitor: “They needed it greater than we did.”

Lifetime Sets 'Project Accessory' Team

Lifetime has completed its Project Accessory team. The Project Runway spinoff is going to be located by actress/model Molly Sim cards while Vivre Boss Avoi Lorenzotti assists because the contestant's mentor and Kenneth Cole and InStyle editor Ariel Foxman will sit within the idol judges chairs. Cole would be a guest judge on last week's episode of Project Runway, that is presently in the ninth season. Lifetime has purchased eight one-hour instances of Project Accessory, that will likely bow in November together with Project Runway All Stars. The spinoffs mark the network's latest effort to take advantage of its greatest reality hit after an early on attempt, Types of the Runway, unsuccessful for connecting with audiences. The rest of the nineRunway runners up in the current season, which opened last This summer, will show their collections at New York's Fashion Week on Friday. But just the true runners up may have their collections proven throughout the finale, which airs later this fall. And Lifetime uses Runway to produce All Stars and Project Accessory. Lifetime is keeping the identity from the 12 Project Accessory participants under systems for the time being. However the series started production in New You are able to recently. The format from the show follows those of Project Runway, but competing designers is going to be creating add-ons including footwear, handbags, jewellery and wigs. Project Accessory is created through the Weinstein Company and Goodbye Pictures. Executive producers include TWC's Harvey Weinstein, Bob Weinstein, Meryl Poster and Barbara Schneeweiss with Wealthy Bye and Fred Pichelfor Goodbye Pictures,Sarah Emanueland Take advantage of Sharenow, Gena McCarthy, David Hillman and Kim Chessler for Lifetime. Related Subjects Lifetime Project Runway

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Sucker Punch

Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's hands and as quickly as he makes a killing he takes a beating, normally at the poker table. Nominally an illegal prize-fight manager, Harley hasn't produced a live one in months, until Charles Buchinsky literally wanders into his life. Charles Buchinsky, street fighter extraordinaire. He's from out of town looking for a fight and the chance to tie up a few loose ends. Keeps himself to himself, lets his fists do the talking and his word is his bond. Victor Maitland, top illegal fight promoter and porn baron. Hates losing and loves the prestige of managing the best hitter in town. Harley dreams of bringing Maitland down and after seeing Buchinsky at work, engineers a fragile partnership. The duo soon becomes a hot ticket, Charles knocking out all-comers, Harley cleaning up the side-bets. Old habits die hard, however, and Harley squanders the money as quickly as Charles earns it. This alerts Maitland, who offers to buy out Buchinsky's contract. Harley refuses, and to make matters worse, Buchinsky defeats Maitland's best fighter in a brutal contest. A second offer is rebuked, but after another disastrous gambling spree, Harley finds himself heavily in debt to a local loan shark. Seeing his opportunity, Maitland buys the debt and now Harley owes him. Unless Buchinsky agrees to fight a top professional, brought in from the North, using all his winnings as the stake, Harley will never walk again. It begs the question, just who is this enigmatic fighter and is he setting Maitland up for a sucker punch or will he simply walk away with his winnings?

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